Contact Dance Company premier performances of ‘Human Range’ and ‘Being Seen’

Contact Dance Company performed two new pieces in front of a sell-out audience at
The Walker Theatre, Theatre Severn in Shrewsbury.

The first surprise for the audience, in this eagerly awaited show, was that seats were aligned in two long rows, facing each other across the performance space. In the front row we rested our feet on the dance floor: we were going to be close to the action.

The first piece was a duet entitled Human Range. Two dancers, one of whom used a wheelchair, explored the limits of their own and each other’s human range. A fresh and energetic soundtrack, by composer Nils Frahm, accompanied the piece. Human Range was choreographed by Shropshire Inclusive Dance directors,
Rachel Liggitt and Ray Jacobs.

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Dancers, Delphine Wise and Poppy Mansfield, used gestures and sweeping movement, combining equal measures of clear, sharp focus and physical power and fragility. Delphine manoeuvred her chair with grit and grace. Poppy Mansfield added playfulness and liquid smooth movement to the piece. When in close proximity, the dancers’ bodies, gestures and sight lines reached across the space in a series of near misses and fleeting moments of contact.

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As the work progressed the contact became more frequent and physical; human range became a metaphor for emotional and physical support. The long dance space, with audiences either side, acted as a corridor for playful and sometimes competitive travelling sequences. Audiences, so close to the action, were truly part of what they had come to see.

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‘Being Seen’, choreographed by Jo Fong, took the audience by surprise. Eight performers entered the stage to the joyful fanfare of Handel’s Zadok The Priest. As an audience member, I felt I was constantly being offered: ‘This is me and This is me and This is me’ as dancers gazed towards us from different parts of the stage. This was a great introduction to the dancers that make up Contact Dance Company: dancers of different ages, dancers with different bodies, dancers who kept their feelings in, dancers whose smile and fears spilled out. It was joyous.
In the programme notes the choreographer, Jo Fong, asked: ‘Do you see the disability or the person?’  I saw humanity in all its diverse beauty.

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Cue the second big surprise of the evening, as ‘Zadok the Preist’ moved to its choral climax.  Dancers draped a huge floating sheet of white linen down the entire length of the ‘corridor’ and then, during the next frantic ten seconds, littered it with everyday objects, transforming the performance space. Pot Plants, photos, prosthetic limbs, children’s toys and all kinds of paraphernalia lay around the performers, who lifted, placed, rested on and moved the objects, offering disjointed and unexpected images, sometimes dystopian, sometimes comical.

The piece never failed to surprise, moving through sections where performers conducted the audience like an orchestra, to a bold, sensuous duet, accompanied by a dark Nick Cave love song.

20190715-_DSC4795The audience were truly riveted; there was so much to see, including the reactions of each other across the dance space. There were further chances for the audience to get to know the performers as each dancer talked one to one to audience members about their very own special object; Dancer Amal Neffi shared the story of her prosthetic legs and the geographical and emotional journey it was for her to get to the point where they could be discarded, in favour of being seen for who she is. Dancer Andrew Kelly, shared the love of his Star Trek costume and the joy of being seen as a different person.

 

 

 

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As these monologues progressed, dancers began to congregate in a melee of movement, shifting and being shifted as an ensemble across the space. It was like watching an anamatron of limbs, bodies, arms, wheels and legs, moving in, out and between each other. The faces of audience members next to me looked bewildered at the speed, complexity, and sensitivity of this improvised movement. No time for the eyes to settle on one person – continual meeting, engaging and leaving.

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The final section of the work felt like the slow transformation from sunset to dusk, as intimate duos closed their eyes and began slowly moving each other. The dancers continued long after the stage lights receded, creating a sense of something without end, whether seen or not.

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Being Seen was performed by Chloe Shepherd, Amal Neffi, Mervyn Bradley,
Kevin Shepherd, Anna Belyavin, Becky Keir, Andrew Kelly, and Rachel Liggitt.

Directed by Jo Fong

Music was by George Frideric Handel, Antonio Vivaldi, Nick Cave, and Kiasmos.

Lighting Design – Jonathan Tritton

Costume Design and Fitting – Sue Hall

Jo Fong is an award-winning director, choreographer & performer working in dance, film, theatre, opera and the visual arts.

Contact Dance Company is part of Shropshire Inclusive Dance.

For more information about the company, visit http://www.sidance.live

 

VERSE-atility – Young carers exploring the future through music and dance.

Shropshire inclusive Dance were invited by the Hive to be part of this exciting and rewarding music and movement project.
During the Easter holidays, the verse-atility team of dance and music leaders, including the SiD outreach team, once again welcomed a group of young carers to the Hive to learn, connect, create and explore together. This was the second intensive project following the launch of the programme in 2018.
A group of seven young people aged between 8 and 14 from across Shropshire came together for five days to use music and dance in response to the question ‘What will our planet be like in 20 years time?’. The group came up with a range of responses that explored caring for each other and the environment, climate change, young voices and protest.
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The group, guided by the professional team choreographed movement, made music and wrote a song that was all performed for an audience at the end of the week. Some of the young people also took their arts award, gaining a qualification for their participation.
The aims of verse-atility are to create a safe, creative space for young carers to build their confidence, express themselves, collaborate with like minded people and to develop their skills. All of the young people had a brilliant time, making new friends and working together.
We feel the footage in the film below speaks much louder then words. Sit back and enjoy.

 

VERSE-atility Documentary 2019 from Hiveshrewsbury on Vimeo.

 

‘A Bridge Between Us’ to be shown at the Assim Vivemos film festival in Brazil.

‘A Bridge Between Us’ created by filmmaker Jonathan Tritton, documents a performance of duets by Contact Dance Company.  The film explores what it means for performers to dance together and the skills needed to find a strong connection when making and performing dance. In the film, dancers with and without disabilities share the connection they feel with each other through physical touch and through an invisible connection across the dance floor.

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While you broke through

Assam Vivemos is one of the most traditional disability film festivals worldwide, Brazil’s International Disability Film Festival (Assim Vivemos) is a biennial event that takes place in Rio de Janeiro, São Paulo, and Brasília, with two full weeks of screenings in each city, always providing all accessibilities: audio-description, sign language in the panels, and subtitles in the films. Known as the pioneer event in Brazil offering audio-description in all sessions, our festival strongly mobilizes the community of people with disability as well as schools and college students, and professionals related to accessibility, inclusion and other issues of people with disability.

We are thrilled that the film we be shown to audiences in Rio De Janeiro, Sao Paulo and Brasilia.We hope that those attending the festival and viewing the film enjoy it.

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Father Daughter

 

The film can be viewed on our website here 

 

Lift Off! Rehearsals have begun for Contact Dance Company’s new show ‘Being Seen’

‘Contact Dance Company’ have begun rehearsals for a brand new dance piece entitled ‘Being Seen’, to be premiered at Theatre Severn on July 20th, 2019

Choreographer, Jo Fong, is working with a cast of eight dancers with and without disabilities, to craft this new dance work. Jo, who has worked with international companies such as Ballet Rambert and the Welsh National Opera, has been enjoying day one of rehearsals:

‘It’s so exciting to be at The Hive in Shrewsbury, with Contact Dance Company. It feels like a brand new era for the company- something fresh and energised. I’m finding myself constantly inspired by the dancers’ generosity and creativity’.

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 Amal Neffi, a company dancer with a disability, reflects on the first day working with the choreographer.

‘We challenged ourselves as dancers, learning how each other move, and building our confidence to work in close contact, supporting, moving and listening to each other.

 

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The new dance, ‘ Being Seen’, will be a treat for Shropshire audiences. Contact Dance Company has built a strong reputation for its powerful brand of contemporary inclusive dance, full of depth and connection. Choreographer Jo Fong wows audiences with her refreshing, energetic and playful dance-making; the combination promises to be a feast for the senses.

Audiences for ‘Being Seen’ performances will be invited to sit close to the action. Shropshire Inclusive Dance co artistic director Ray Jacobs states:

‘It’s really important that audience members see the details of the dance and feel the connection between dancers. The smallest gesture, the qualities of contact between dancers, is a delight to watch. Witnessing the show will be a sensory experience’.

This new dance piece is funded by Arts Council England and Shropshire Council.

Seats for ‘Being Seen’ can be booked via the Theatre Severn box office or online here  but hurry, tickets are going fast!

 

 

 

 

 

 

 

A week of dancing and connecting – Unique Voices Shared Visions, AVS Choreographic Lab 2019

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16 dancers joined SiD for the AVS Inclusive Choreographic Lab in June. Dancers travelled from Stoke, Gloucester, Nottingham, Stourbridge, Kidderminster, Telford and small villages surrounding Shropshire to attend the sell out week and what fun we had.

Workshop facilitators Annie Hanauer, Vicky Malin and Sarah Blanc arrived from London bringing a wealth of experience through working inclusively with some of the most established and respected artists and organisations in the contemporary dance world. The common thread  between the facilitators was that all three artists had worked with acclaimed Candoco Dance Company.

Each day started with a dance class, rotated between all three dancers. Each facilitator offered their own unique approach to morning class, including taught technical exercises, somatic dance practice approaches and improvisational tasks. 

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In the afternoons we explored creative choreographic tasks based upon the workshops leader’s interests and their choreographic research. The tasks involved lots of creative play and experimentation, individually and in small groups. There was time to talk, reflect and socialize, a gift that does not happen enough. During the final two days we experimented choreographically with our own artistic ideas.

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The week was a rich nurturing experience, feeding the soul, whilst enlivening and revitalizing individual practice. I found total delight in reconnecting with dancing friends and the joy of meeting new people. I loved the diversity of the group, encompassing different backgrounds, ages, experience, genders, heights, and body shapes.  The group arrived with various mobility aids, expectations and hopes but all of us were incredibly ‘open’, respectful and willing to take part fully in all the nuggets of ideas, movement explorations and improvisational structures offered. I loved dancing in a large group, as an ensemble, there was so much to feed off and enjoy.

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It was wonderful to be approached to host the AVS Lab, SiD leant that there is a need for a workshop of this nature and the experience brings so much to dancers and artists living and working in Shropshire and for those living outside in the surrounding regions. Maybe this is the beginning of a bi-annual opportunity and future collaborations ?
Thank you AVS Lab for this brilliant opportunity.

Rachel Liggitt, SiD Co- Director.

This AVS Lab was supported by Candoco Dance Company, The Place and Arts Council England. Thank you to Basil Houghton Memorial Trust for funding SiD received to host the AVS Lab.

Photography is by Ewen Macintyre.

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SiD invites you to an Inclusive Dance Lab with AnnieVickySarah (AVS)

Shropshire Inclusive Dance will be hosting AnnieVickySarah (AVS) LAB  Tuesday 28 May – Saturday 1 June 2019

Join Annie Hanauer, Vicky Malin and Sarah Blanc for a week of exploration and creative development – a chance to meet and work with other dancers to develop your creative skills within an inclusive setting.  This immersive week of dance will offer a space for each participant to challenge themselves, strengthen networks and deeply engage with different creative processes. The lab is being held in accessible venues in Shrewsbury, Shropshire.

AVS share a foundation of inclusive dance practice from a combined 30 years of experience in the dance world. This LAB series aims to promote the rich and supportive environment AVS have encountered when artists from different backgrounds and experiences come together.

AVS have been holding Labs across the country, each focusing on creative practice from Annie, Vicky or Sarah. Your week with us will include a morning inclusive technique class each day, followed by an afternoon of creative exploration.

Who can book
The Lab is appropriate for emerging dance artists or dance professionals aged 18 and older with and without disabilities, who are interested in exploring dance as an art form.

Booking options
3 day Technique and Creative process workshop  28th May – 30th May   £75
2 day Choreographic workshop 31st May and 1st June  £50
5 day Residency (both programmes) 28th May – 1st June     £125

Typical day during the AVS Lab
10-11.30am Technique class lead by Annie, Vicky and Sarah
11.30-12 Break
12- 1.30pm Creative process lead by Vicky Malin
1.30-2.30pm Lunch
2.30-5.30pm Creative process lead by Vicky Malin

Description of morning class
Annie, Vicky and Sarah have brought their diverse interests together to explore inclusivity in technique class and creation. Using set material and improvisation, we will play with articulation, technical exercises and touch, aiming to find both precision and freedom in our dancing. Classes aim to respond to the needs of the group while remaining challenging.

Description of afternoon sessions
Afternoon sessions will consist of creative tasks based on the choreographic research of Vicky Malin. Tasks will include improvisation, engaging with objects, and exploring voice and movement to create solo and group material. There will be opportunities for each lab artist to share what they are passionate about through social events such as a lunch together, a film night or a trip to the local pub.

Choreographic Workshop
This lab will look into dance making processes more intensively, giving time for each lab artist to explore, devise, share and reflect on work made during these two days.

Cost & booking options
3 day Technique and creative process workshop  28th May – 30th May  £75
2 day Choreographic Lab 31st May and 1st June  £50
5 day Residency (both programmes) 28th May – 1st June     £125

Please contact Rachel Liggitt to request a booking form and payment instructions at: rachelsidance@gmail.com  or phone – 07855931214

Workshop Venues
28th May – 30th May
– The Gateway Education and Arts Centre, Chester Street, Shrewsbury SY1 1NB

31st May – 1st June – The Lantern, Meadow Farm Dr, Shrewsbury SY1 4NG.

Both venues are  accessible, directions and parking advice will be available with the booking documentation.

 

About AnnieVickySarah

Annie, Vicky, and Sarah have worked in inclusive environments with some of the most established and respected artists and organisations in the contemporary dance world. They have come together to explore how working collectively can push their individual and shared artistic practices, and to continue building on their experience from the project ‘AnnieVickySarah Take Space’ in 2017. This project was supported by Candoco Dance Company, The Place and Arts Council England, and was centered on creating & presenting 3 new works in progress, and teaching accessible professional classes and workshops. Facilitating classes and workshops was a fundamental part of the process and for AVS, this became an area deserving deeper attention. AVS are passionate about creative development and facilitate high-quality explorations of performance with inclusion and diversity at the centre of their approach.

Who we are
Annie Hanauer danced with Candoco Dance Company from 2008-2014. She now works in the UK and France as a performer with Rachid Ouramdane/CCN2 Grenoble and Emanuel Gat Dance, and initiates her own creative projects and teaching as an independent, international artist.

Vicky Malin performed with Candoco Dance Company from 2008-2013. She is currently working with artist Claire Cunningham in a new piece called ‘Thank you very much’ in Glasgow. She is a certified life coach and recently mentored an emerging inclusive company in Kiev, Ukraine. In 2017 she gained a first class Masters in Creative Practice at Trinity Laban and Independent Dance.

Sarah Blancis an award-winning performer and choreographer based in London. She has worked across all areas of Candoco’s education programme since 2007, and is co-leader of the Candoco Youth Company at The Place. She is Artistic Director of Moxie Brawl, an all-female inclusive dance theatre company that has toured successfully since 2014.

Watch: http://www.youtube.com/watch?v=o7dZ43fp4uI&t=1s
Email us: AnnieVickySarah@gmail.co
Follow us: www.facebook.com/annievickysarah/