Shining a light on SID dance artist Anna Belyavin

What a fantastic week for SiD! Today we are shining a light on Anna Belyavin. Anna has been a SiD dance artist since the very beginning, way back in 2012. Anna leads our inclusive youth dance work, teachers Thursday nights, works on many aspects of our projects and is a fantastic performer – her many skills blow us away!
She also takes care of all our well-being. You are our rock and anchor Anna and we love having you in the company. Thank you.

 

Shining a light on Contact Dance Company performer Nick Robinson

Today we are shining a light on dancer Nick Robinson. Nick travels from Wales to England each week, on a Thursday, to attend SiD’s dance class. He leaves 2 hours ahead of the class to get to class on time and because public transport options are limited. He is passionate, dedicated and loves dance. He has been doing this since SiD began in 2012. Nick you are amazing. Each week we will shine a light on a dancer – their commitment, their passion.

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Contact Dance Company premier performances of ‘Human Range’ and ‘Being Seen’

Contact Dance Company performed two new pieces in front of a sell-out audience at
The Walker Theatre, Theatre Severn in Shrewsbury.

The first surprise for the audience, in this eagerly awaited show, was that seats were aligned in two long rows, facing each other across the performance space. In the front row we rested our feet on the dance floor: we were going to be close to the action.

The first piece was a duet entitled Human Range. Two dancers, one of whom used a wheelchair, explored the limits of their own and each other’s human range. A fresh and energetic soundtrack, by composer Nils Frahm, accompanied the piece. Human Range was choreographed by Shropshire Inclusive Dance directors,
Rachel Liggitt and Ray Jacobs.

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Dancers, Delphine Wise and Poppy Mansfield, used gestures and sweeping movement, combining equal measures of clear, sharp focus and physical power and fragility. Delphine manoeuvred her chair with grit and grace. Poppy Mansfield added playfulness and liquid smooth movement to the piece. When in close proximity, the dancers’ bodies, gestures and sight lines reached across the space in a series of near misses and fleeting moments of contact.

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As the work progressed the contact became more frequent and physical; human range became a metaphor for emotional and physical support. The long dance space, with audiences either side, acted as a corridor for playful and sometimes competitive travelling sequences. Audiences, so close to the action, were truly part of what they had come to see.

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‘Being Seen’, choreographed by Jo Fong, took the audience by surprise. Eight performers entered the stage to the joyful fanfare of Handel’s Zadok The Priest. As an audience member, I felt I was constantly being offered: ‘This is me and This is me and This is me’ as dancers gazed towards us from different parts of the stage. This was a great introduction to the dancers that make up Contact Dance Company: dancers of different ages, dancers with different bodies, dancers who kept their feelings in, dancers whose smile and fears spilled out. It was joyous.
In the programme notes the choreographer, Jo Fong, asked: ‘Do you see the disability or the person?’  I saw humanity in all its diverse beauty.

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Cue the second big surprise of the evening, as ‘Zadok the Preist’ moved to its choral climax.  Dancers draped a huge floating sheet of white linen down the entire length of the ‘corridor’ and then, during the next frantic ten seconds, littered it with everyday objects, transforming the performance space. Pot Plants, photos, prosthetic limbs, children’s toys and all kinds of paraphernalia lay around the performers, who lifted, placed, rested on and moved the objects, offering disjointed and unexpected images, sometimes dystopian, sometimes comical.

The piece never failed to surprise, moving through sections where performers conducted the audience like an orchestra, to a bold, sensuous duet, accompanied by a dark Nick Cave love song.

20190715-_DSC4795The audience were truly riveted; there was so much to see, including the reactions of each other across the dance space. There were further chances for the audience to get to know the performers as each dancer talked one to one to audience members about their very own special object; Dancer Amal Neffi shared the story of her prosthetic legs and the geographical and emotional journey it was for her to get to the point where they could be discarded, in favour of being seen for who she is. Dancer Andrew Kelly, shared the love of his Star Trek costume and the joy of being seen as a different person.

 

 

 

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As these monologues progressed, dancers began to congregate in a melee of movement, shifting and being shifted as an ensemble across the space. It was like watching an anamatron of limbs, bodies, arms, wheels and legs, moving in, out and between each other. The faces of audience members next to me looked bewildered at the speed, complexity, and sensitivity of this improvised movement. No time for the eyes to settle on one person – continual meeting, engaging and leaving.

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The final section of the work felt like the slow transformation from sunset to dusk, as intimate duos closed their eyes and began slowly moving each other. The dancers continued long after the stage lights receded, creating a sense of something without end, whether seen or not.

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Being Seen was performed by Chloe Shepherd, Amal Neffi, Mervyn Bradley,
Kevin Shepherd, Anna Belyavin, Becky Keir, Andrew Kelly, and Rachel Liggitt.

Directed by Jo Fong

Music was by George Frideric Handel, Antonio Vivaldi, Nick Cave, and Kiasmos.

Lighting Design – Jonathan Tritton

Costume Design and Fitting – Sue Hall

Jo Fong is an award-winning director, choreographer & performer working in dance, film, theatre, opera and the visual arts.

Contact Dance Company is part of Shropshire Inclusive Dance.

For more information about the company, visit http://www.sidance.live

 

VERSE-atility – Young carers exploring the future through music and dance.

Shropshire inclusive Dance were invited by the Hive to be part of this exciting and rewarding music and movement project.
During the Easter holidays, the verse-atility team of dance and music leaders, including the SiD outreach team, once again welcomed a group of young carers to the Hive to learn, connect, create and explore together. This was the second intensive project following the launch of the programme in 2018.
A group of seven young people aged between 8 and 14 from across Shropshire came together for five days to use music and dance in response to the question ‘What will our planet be like in 20 years time?’. The group came up with a range of responses that explored caring for each other and the environment, climate change, young voices and protest.
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The group, guided by the professional team choreographed movement, made music and wrote a song that was all performed for an audience at the end of the week. Some of the young people also took their arts award, gaining a qualification for their participation.
The aims of verse-atility are to create a safe, creative space for young carers to build their confidence, express themselves, collaborate with like minded people and to develop their skills. All of the young people had a brilliant time, making new friends and working together.
We feel the footage in the film below speaks much louder then words. Sit back and enjoy.

 

VERSE-atility Documentary 2019 from Hiveshrewsbury on Vimeo.

 

‘A Bridge Between Us’ to be shown at the Assim Vivemos film festival in Brazil.

‘A Bridge Between Us’ created by filmmaker Jonathan Tritton, documents a performance of duets by Contact Dance Company.  The film explores what it means for performers to dance together and the skills needed to find a strong connection when making and performing dance. In the film, dancers with and without disabilities share the connection they feel with each other through physical touch and through an invisible connection across the dance floor.

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While you broke through

Assam Vivemos is one of the most traditional disability film festivals worldwide, Brazil’s International Disability Film Festival (Assim Vivemos) is a biennial event that takes place in Rio de Janeiro, São Paulo, and Brasília, with two full weeks of screenings in each city, always providing all accessibilities: audio-description, sign language in the panels, and subtitles in the films. Known as the pioneer event in Brazil offering audio-description in all sessions, our festival strongly mobilizes the community of people with disability as well as schools and college students, and professionals related to accessibility, inclusion and other issues of people with disability.

We are thrilled that the film we be shown to audiences in Rio De Janeiro, Sao Paulo and Brasilia.We hope that those attending the festival and viewing the film enjoy it.

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Father Daughter

 

The film can be viewed on our website here 

 

Lift Off! Rehearsals have begun for Contact Dance Company’s new show ‘Being Seen’

‘Contact Dance Company’ have begun rehearsals for a brand new dance piece entitled ‘Being Seen’, to be premiered at Theatre Severn on July 20th, 2019

Choreographer, Jo Fong, is working with a cast of eight dancers with and without disabilities, to craft this new dance work. Jo, who has worked with international companies such as Ballet Rambert and the Welsh National Opera, has been enjoying day one of rehearsals:

‘It’s so exciting to be at The Hive in Shrewsbury, with Contact Dance Company. It feels like a brand new era for the company- something fresh and energised. I’m finding myself constantly inspired by the dancers’ generosity and creativity’.

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 Amal Neffi, a company dancer with a disability, reflects on the first day working with the choreographer.

‘We challenged ourselves as dancers, learning how each other move, and building our confidence to work in close contact, supporting, moving and listening to each other.

 

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The new dance, ‘ Being Seen’, will be a treat for Shropshire audiences. Contact Dance Company has built a strong reputation for its powerful brand of contemporary inclusive dance, full of depth and connection. Choreographer Jo Fong wows audiences with her refreshing, energetic and playful dance-making; the combination promises to be a feast for the senses.

Audiences for ‘Being Seen’ performances will be invited to sit close to the action. Shropshire Inclusive Dance co artistic director Ray Jacobs states:

‘It’s really important that audience members see the details of the dance and feel the connection between dancers. The smallest gesture, the qualities of contact between dancers, is a delight to watch. Witnessing the show will be a sensory experience’.

This new dance piece is funded by Arts Council England and Shropshire Council.

Seats for ‘Being Seen’ can be booked via the Theatre Severn box office or online here  but hurry, tickets are going fast!