Our ‘Create’ group had its final class of the autumn term last week. This term we have really celebrated the joys, creativity and connection in moving and dancing together. There have been some beautiful dances, giant leaps forward and much shared laughter. Huge thanks to the participants, they’re carers, the creative team and everyone involved in the class. There are a few places in this Wednesday morning class for next term, we particularly invite people with disabilities who need extra support in participating. Big thanks go to Condover Ciollege who have supported their residents in attanding the classes, Musician Mani Wells who has played beautiful live music and the SiD team Ray Jacobs and Becky Pringle
In the summer of 2019 eight dancers with and without disabilities from Contact Dance Company worked with director and choreographer Jo Fong to create a new dance work for touring titled ‘Being Seen’.
The dancers were Becky Keir, Anna Belyavin, Chloe Shepherd, Rachel Liggitt,
Andrew Kelly, Mervyn Bradley, Amal Neffi and Kevin Shepherd
Creating the work with Jo Fong was an intensive, joyful and rewarding experience for the company. We are very proud of the piece that was created and performed.
‘Being Seen’ was exactly that, a call for performers to be seen as their selves, powerful, vulnerable, poetic, playful, graceful and human
Below is a 9 minute edited version of ‘Being Seen’ filmed live by JTV Production at Theatre Severn in Shrewsbury, July 2019.
Contact Dance Company received very positive feedback from it’s premier at Theatre Severn in Shrewsbury
‘I enjoyed the close proximity of the dancers and the sounds of the wheels. I liked seeing the dancers, the objects and the interactions between them. I enjoyed the connection between people and the real closeness that was conveyed’
‘It felt so personal, so raw, as if we were all part of it’.
‘Intricate, graceful, joyful and absolute pleasure to watch’.
Jo Fong’s work reflects the need in these times for people to come together. Her practice has been informed by notions of inclusivity, participation and is about being present, this moment, communication, listening, face to face encounters and the idea of forming community. This work will be more important then ever as part of the healing process after the collective trauma of the Covid-19 crisis.
Being Seen is available for touring throughout 2020, please contact the company for more details.
Shropshire Inclusive Dance is proud to present a series of duets filmed live during our shows. First we would like to share with you ‘Human Range’.
In July 2019 we premiered two new pieces to a packed audience at Theatre Severn, Shrewsbury. The show began with this powerful and playful duet’.
It is performed by Delphine Wise and Poppy Mansfield. The work was choreographed and directed by SiD’s co artistic directors Rachel Liggitt and Ray Jacobs.
The piece explored notions of Human Range, how far can we reach ?
The music is by Nils Frahm.
The duet was beautifully filmed by JTV Production
Contact Dance Company performed Human Range and Being Seen to a packed house at the fantastic FEAST – Theatre Festival in Malvern. The dances were as powerful as ever, with brilliant performances that reverberated in the hearts of so many that witnessed the show.
The company received fantastic feedback from the audience. Its a real pleasure for SiD to share performances by Contact Dance Company at the Festival. Below are images from the performances captured by our Co-Director Ray Jacobs
Heres some more images from the film roll, these great images were captured by photographer Ewen Macintyre.
Contact Dance Company performed two new pieces in front of a sell-out audience at
The Walker Theatre, Theatre Severn in Shrewsbury.
The first surprise for the audience, in this eagerly awaited show, was that seats were aligned in two long rows, facing each other across the performance space. In the front row we rested our feet on the dance floor: we were going to be close to the action.
The first piece was a duet entitled Human Range. Two dancers, one of whom used a wheelchair, explored the limits of their own and each other’s human range. A fresh and energetic soundtrack, by composer Nils Frahm, accompanied the piece. Human Range was choreographed by Shropshire Inclusive Dance directors,
Rachel Liggitt and Ray Jacobs.
Dancers, Delphine Wise and Poppy Mansfield, used gestures and sweeping movement, combining equal measures of clear, sharp focus and physical power and fragility. Delphine manoeuvred her chair with grit and grace. Poppy Mansfield added playfulness and liquid smooth movement to the piece. When in close proximity, the dancers’ bodies, gestures and sight lines reached across the space in a series of near misses and fleeting moments of contact.
As the work progressed the contact became more frequent and physical; human range became a metaphor for emotional and physical support. The long dance space, with audiences either side, acted as a corridor for playful and sometimes competitive travelling sequences. Audiences, so close to the action, were truly part of what they had come to see.
‘Being Seen’, choreographed by Jo Fong, took the audience by surprise. Eight performers entered the stage to the joyful fanfare of Handel’s Zadok The Priest. As an audience member, I felt I was constantly being offered: ‘This is me and This is me and This is me’ as dancers gazed towards us from different parts of the stage. This was a great introduction to the dancers that make up Contact Dance Company: dancers of different ages, dancers with different bodies, dancers who kept their feelings in, dancers whose smile and fears spilled out. It was joyous.
In the programme notes the choreographer, Jo Fong, asked: ‘Do you see the disability or the person?’ I saw humanity in all its diverse beauty.
Cue the second big surprise of the evening, as ‘Zadok the Preist’ moved to its choral climax. Dancers draped a huge floating sheet of white linen down the entire length of the ‘corridor’ and then, during the next frantic ten seconds, littered it with everyday objects, transforming the performance space. Pot Plants, photos, prosthetic limbs, children’s toys and all kinds of paraphernalia lay around the performers, who lifted, placed, rested on and moved the objects, offering disjointed and unexpected images, sometimes dystopian, sometimes comical.
The piece never failed to surprise, moving through sections where performers conducted the audience like an orchestra, to a bold, sensuous duet, accompanied by a dark Nick Cave love song.
The audience were truly riveted; there was so much to see, including the reactions of each other across the dance space. There were further chances for the audience to get to know the performers as each dancer talked one to one to audience members about their very own special object; Dancer Amal Neffi shared the story of her prosthetic legs and the geographical and emotional journey it was for her to get to the point where they could be discarded, in favour of being seen for who she is. Dancer Andrew Kelly, shared the love of his Star Trek costume and the joy of being seen as a different person.
As these monologues progressed, dancers began to congregate in a melee of movement, shifting and being shifted as an ensemble across the space. It was like watching an anamatron of limbs, bodies, arms, wheels and legs, moving in, out and between each other. The faces of audience members next to me looked bewildered at the speed, complexity, and sensitivity of this improvised movement. No time for the eyes to settle on one person – continual meeting, engaging and leaving.
The final section of the work felt like the slow transformation from sunset to dusk, as intimate duos closed their eyes and began slowly moving each other. The dancers continued long after the stage lights receded, creating a sense of something without end, whether seen or not.
Being Seen was performed by Chloe Shepherd, Amal Neffi, Mervyn Bradley,
Kevin Shepherd, Anna Belyavin, Becky Keir, Andrew Kelly, and Rachel Liggitt.
Directed by Jo Fong
Music was by George Frideric Handel, Antonio Vivaldi, Nick Cave, and Kiasmos.
Lighting Design – Jonathan Tritton
Costume Design and Fitting – Sue Hall
Jo Fong is an award-winning director, choreographer & performer working in dance, film, theatre, opera and the visual arts.
Contact Dance Company is part of Shropshire Inclusive Dance.
For more information about the company, visit http://www.sidance.live
‘A Bridge Between Us’ created by filmmaker Jonathan Tritton, documents a performance of duets by Contact Dance Company. The film explores what it means for performers to dance together and the skills needed to find a strong connection when making and performing dance. In the film, dancers with and without disabilities share the connection they feel with each other through physical touch and through an invisible connection across the dance floor.
Assam Vivemos is one of the most traditional disability film festivals worldwide, Brazil’s International Disability Film Festival (Assim Vivemos) is a biennial event that takes place in Rio de Janeiro, São Paulo, and Brasília, with two full weeks of screenings in each city, always providing all accessibilities: audio-description, sign language in the panels, and subtitles in the films. Known as the pioneer event in Brazil offering audio-description in all sessions, our festival strongly mobilizes the community of people with disability as well as schools and college students, and professionals related to accessibility, inclusion and other issues of people with disability.
We are thrilled that the film we be shown to audiences in Rio De Janeiro, Sao Paulo and Brasilia.We hope that those attending the festival and viewing the film enjoy it.
The film can be viewed on our website here
‘Contact Dance Company’ have begun rehearsals for a brand new dance piece entitled ‘Being Seen’, to be premiered at Theatre Severn on July 20th, 2019
Choreographer, Jo Fong, is working with a cast of eight dancers with and without disabilities, to craft this new dance work. Jo, who has worked with international companies such as Ballet Rambert and the Welsh National Opera, has been enjoying day one of rehearsals:
‘It’s so exciting to be at The Hive in Shrewsbury, with Contact Dance Company. It feels like a brand new era for the company- something fresh and energised. I’m finding myself constantly inspired by the dancers’ generosity and creativity’.
Amal Neffi, a company dancer with a disability, reflects on the first day working with the choreographer.
‘We challenged ourselves as dancers, learning how each other move, and building our confidence to work in close contact, supporting, moving and listening to each other.
The new dance, ‘ Being Seen’, will be a treat for Shropshire audiences. Contact Dance Company has built a strong reputation for its powerful brand of contemporary inclusive dance, full of depth and connection. Choreographer Jo Fong wows audiences with her refreshing, energetic and playful dance-making; the combination promises to be a feast for the senses.
Audiences for ‘Being Seen’ performances will be invited to sit close to the action. Shropshire Inclusive Dance co artistic director Ray Jacobs states:
‘It’s really important that audience members see the details of the dance and feel the connection between dancers. The smallest gesture, the qualities of contact between dancers, is a delight to watch. Witnessing the show will be a sensory experience’.
This new dance piece is funded by Arts Council England and Shropshire Council.
Seats for ‘Being Seen’ can be booked via the Theatre Severn box office or online here but hurry, tickets are going fast!
16 dancers joined SiD for the AVS Inclusive Choreographic Lab in June. Dancers travelled from Stoke, Gloucester, Nottingham, Stourbridge, Kidderminster, Telford and small villages surrounding Shropshire to attend the sell out week and what fun we had.
Workshop facilitators Annie Hanauer, Vicky Malin and Sarah Blanc arrived from London bringing a wealth of experience through working inclusively with some of the most established and respected artists and organisations in the contemporary dance world. The common thread between the facilitators was that all three artists had worked with acclaimed Candoco Dance Company.
Each day started with a dance class, rotated between all three dancers. Each facilitator offered their own unique approach to morning class, including taught technical exercises, somatic dance practice approaches and improvisational tasks.
In the afternoons we explored creative choreographic tasks based upon the workshops leader’s interests and their choreographic research. The tasks involved lots of creative play and experimentation, individually and in small groups. There was time to talk, reflect and socialize, a gift that does not happen enough. During the final two days we experimented choreographically with our own artistic ideas.
The week was a rich nurturing experience, feeding the soul, whilst enlivening and revitalizing individual practice. I found total delight in reconnecting with dancing friends and the joy of meeting new people. I loved the diversity of the group, encompassing different backgrounds, ages, experience, genders, heights, and body shapes. The group arrived with various mobility aids, expectations and hopes but all of us were incredibly ‘open’, respectful and willing to take part fully in all the nuggets of ideas, movement explorations and improvisational structures offered. I loved dancing in a large group, as an ensemble, there was so much to feed off and enjoy.
It was wonderful to be approached to host the AVS Lab, SiD leant that there is a need for a workshop of this nature and the experience brings so much to dancers and artists living and working in Shropshire and for those living outside in the surrounding regions. Maybe this is the beginning of a bi-annual opportunity and future collaborations ?
Thank you AVS Lab for this brilliant opportunity.
Rachel Liggitt, SiD Co- Director.
This AVS Lab was supported by Candoco Dance Company, The Place and Arts Council England. Thank you to Basil Houghton Memorial Trust for funding SiD received to host the AVS Lab.
Photography is by Ewen Macintyre.
Contact Dance Company performers spent two fabulous & creative days with Jo Fong, gathering ideas for a new piece to be premiered by the company at Theatre Severn in the summer.
Jo Fong invited the dancers into her physical, energetic, and dynamic style of dance.
How close can we dance together? How small can our dances be?
How much noise can we make while we dance. Can we all dance in this tiny space here?
Jo’s invitations to move were enthusiastically accepted by the company dancers.
Dances of an incredible range were explored over the weekend, subtle small dances in pairs, wild chaotic dancers with the whole company in small spaces, moments of quiet tenderness, lots of laughter and applause, the work was beautiful, powerful and funny to witness.
Jo Fong is a director, choreographer and performer working in dance, film, theatre, opera and live art. Her eclectic career includes performances with DV8 Physical Theatre, Rosas (Belgium) and Rambert Dance Company.
Talking about her work Jo states’
‘The work creates shared experiences, as an audience member, performer or as participant. It seeks to invite an open exchange and immediacy through arts creation and opportunities that aim to promote and support inclusivity and the value of art to everyone’
Jo Fong and Contact Dance Company are a great match. Jo, during the workshop shared her observation of the incredible physical and creative connection shared between Contact Dance Company dancers. Jo likes to see the work she is making with Contact Dance Company, with all its diversity, connection, humanness and dynamism, as the future, the new normal.