‘A Bridge Between Us’ to be shown at the Assim Vivemos film festival in Brazil.

‘A Bridge Between Us’ created by filmmaker Jonathan Tritton, documents a performance of duets by Contact Dance Company.  The film explores what it means for performers to dance together and the skills needed to find a strong connection when making and performing dance. In the film, dancers with and without disabilities share the connection they feel with each other through physical touch and through an invisible connection across the dance floor.

Assam Vivemos is one of the most traditional disability film festivals worldwide, Brazil’s International Disability Film Festival (Assim Vivemos) is a biennial event that takes place in Rio de Janeiro, São Paulo, and Brasília, with two full weeks of screenings in each city, always providing all accessibilities: audio-description, sign language in the panels, and subtitles in the films. Known as the pioneer event in Brazil offering audio-description in all sessions, our festival strongly mobilizes the community of people with disability as well as schools and college students, and professionals related to accessibility, inclusion and other issues of people with disability.

We are thrilled that the film we be shown to audiences in Rio De Janeiro, Sao Paulo and Brasilia.We hope that those attending the festival and viewing the film enjoy it.

The film can be viewed on our website here 

 

Lift Off! Rehearsals have begun for Contact Dance Company’s new show ‘Being Seen’

‘Contact Dance Company’ have begun rehearsals for a brand new dance piece entitled ‘Being Seen’, to be premiered at Theatre Severn on July 20th, 2019

Choreographer, Jo Fong, is working with a cast of eight dancers with and without disabilities, to craft this new dance work. Jo, who has worked with international companies such as Ballet Rambert and the Welsh National Opera, has been enjoying day one of rehearsals:

‘It’s so exciting to be at The Hive in Shrewsbury, with Contact Dance Company. It feels like a brand new era for the company- something fresh and energised. I’m finding myself constantly inspired by the dancers’ generosity and creativity’.

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 Amal Neffi, a company dancer with a disability, reflects on the first day working with the choreographer.

‘We challenged ourselves as dancers, learning how each other move, and building our confidence to work in close contact, supporting, moving and listening to each other.

 

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The new dance, ‘ Being Seen’, will be a treat for Shropshire audiences. Contact Dance Company has built a strong reputation for its powerful brand of contemporary inclusive dance, full of depth and connection. Choreographer Jo Fong wows audiences with her refreshing, energetic and playful dance-making; the combination promises to be a feast for the senses.

Audiences for ‘Being Seen’ performances will be invited to sit close to the action. Shropshire Inclusive Dance co artistic director Ray Jacobs states:

‘It’s really important that audience members see the details of the dance and feel the connection between dancers. The smallest gesture, the qualities of contact between dancers, is a delight to watch. Witnessing the show will be a sensory experience’.

This new dance piece is funded by Arts Council England and Shropshire Council.

Seats for ‘Being Seen’ can be booked via the Theatre Severn box office or online here  but hurry, tickets are going fast!

 

 

 

 

 

 

 

A week of dancing and connecting – Unique Voices Shared Visions, AVS Choreographic Lab 2019

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16 dancers joined SiD for the AVS Inclusive Choreographic Lab in June. Dancers travelled from Stoke, Gloucester, Nottingham, Stourbridge, Kidderminster, Telford and small villages surrounding Shropshire to attend the sell out week and what fun we had.

Workshop facilitators Annie Hanauer, Vicky Malin and Sarah Blanc arrived from London bringing a wealth of experience through working inclusively with some of the most established and respected artists and organisations in the contemporary dance world. The common thread  between the facilitators was that all three artists had worked with acclaimed Candoco Dance Company.

Each day started with a dance class, rotated between all three dancers. Each facilitator offered their own unique approach to morning class, including taught technical exercises, somatic dance practice approaches and improvisational tasks. 

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In the afternoons we explored creative choreographic tasks based upon the workshops leader’s interests and their choreographic research. The tasks involved lots of creative play and experimentation, individually and in small groups. There was time to talk, reflect and socialize, a gift that does not happen enough. During the final two days we experimented choreographically with our own artistic ideas.

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The week was a rich nurturing experience, feeding the soul, whilst enlivening and revitalizing individual practice. I found total delight in reconnecting with dancing friends and the joy of meeting new people. I loved the diversity of the group, encompassing different backgrounds, ages, experience, genders, heights, and body shapes.  The group arrived with various mobility aids, expectations and hopes but all of us were incredibly ‘open’, respectful and willing to take part fully in all the nuggets of ideas, movement explorations and improvisational structures offered. I loved dancing in a large group, as an ensemble, there was so much to feed off and enjoy.

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It was wonderful to be approached to host the AVS Lab, SiD leant that there is a need for a workshop of this nature and the experience brings so much to dancers and artists living and working in Shropshire and for those living outside in the surrounding regions. Maybe this is the beginning of a bi-annual opportunity and future collaborations ?
Thank you AVS Lab for this brilliant opportunity.

Rachel Liggitt, SiD Co- Director.

This AVS Lab was supported by Candoco Dance Company, The Place and Arts Council England. Thank you to Basil Houghton Memorial Trust for funding SiD received to host the AVS Lab.

Photography is by Ewen Macintyre.

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Contact Dance Company begin an exciting new performance project with dance artist Jo Fong.

Contact Dance Company performers spent two fabulous & creative days with Jo Fong, gathering ideas for a new piece to be premiered by the company at Theatre Severn in the summer.

Jo Fong invited the dancers into her physical, energetic, and dynamic style of dance.

How close can we dance together?  How small can our dances be?
How much noise can we make while we dance. Can we all dance in this tiny space here?

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Jo’s invitations to move were enthusiastically accepted by the company dancers.
Dances of an incredible range were explored over the weekend, subtle small dances in pairs, wild chaotic dancers with the whole company in small spaces, moments of quiet tenderness, lots of laughter and applause, the work was beautiful, powerful and funny to witness.

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Jo Fong is a director, choreographer and performer working in dance, film, theatre, opera and live art. Her eclectic career includes performances with DV8 Physical Theatre, Rosas (Belgium) and Rambert Dance Company.

 

Talking about her work Jo states’

‘The work creates shared experiences, as an audience member, performer or as participant. It seeks to invite an open exchange and immediacy through arts creation and opportunities that aim to promote and support inclusivity and the value of art to everyone’

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Jo Fong and Contact Dance Company are a great match. Jo, during the workshop shared her observation of the incredible physical and creative connection shared between Contact Dance Company dancers. Jo likes to see the work she is making with Contact Dance Company,  with all its diversity, connection, humanness and dynamism, as the future, the new normal.

 

 

 

Contact Dance Company perform TwoFold at the Feast Festival in Malvern

A full house at the festival witnessed Contact Dance Company’s absorbing and powerful programme of duets ‘Two Fold’. The programme featured;

‘Unspoken’ An intimate duet about friendship. How do we speak without words?

‘While you broke through to other worlds’ A duet exploring the dynamics and polarity between two people, the pull to strive ahead, the fear of being left behind.

‘Father Daughter’ a celebration of the real life connection between the two dancers.

The programme also included a beautifully made short film about the duets entitled
‘A bridge between us’ created by filmmaker Jonathan Tritton.

The programme culminated in a trio ‘The details in the hands’.

Dance development leader Elizabeth Crosswell and her son were in the audience

I came to watch Contact Dance Company at the Feast Festival at Malvern Cube Theatre with my 4 year old son, we were mesmerised. 

 I’ve never seen him sit on the edge of his seat like that before, watching the duet between Rachel Liggitt and Mervyn Bradley unfold. Out of the corner of my eye, I saw him softly mirroring movements from the dancers, as a parent your instinct is to hush, to worry about disturbing the performance for others, but this was his response to the performance and my instinct said let him be.

His response came from the environment the performers had created, by connecting with us, the audience. They made us feel a part of it, drawing us into a duet for two, but we were also immersed in the moments of touch, the friendship, the meeting and parting. 

 The dancers were beautiful; from the measured, dynamic movements of the all-male duet, to the warm flow of the structured improvisation of the trio. I wanted to dance in that trio too, they made it look like so much fun. The way they connected with us as an audience is to me a huge part of what dance is about. The moment when the father proudly shows off his baby girl to the audience – we shared that pride with him. We see the love and care danced together when his daughter joins him later in the duet. It’s just magical.

 I thought it was brilliant that the dancers were available to chat with the audience after the performance. Unfortunately I had to dash off for the school run, but I would have loved to have asked about the process and how the work was created.

Please thank all the dancers for their wonderful performances. I was so grateful to have been able to see such high quality dance in such an intimate venue.

Shropshire Inclusive Dance would like to thank the feast festival for inviting us to be part of a very special festival and JTV for supporting our production with high quality lighting and sound.

Images from the duets Father Daughter and Unspoken. (photography Ray Jacobs)

 

 

 

 

 

 

Unknown Places – Performance at Wolverhampton Arena, October 10th 2018

‘Unknown Places’ Contact Dance Company’s most recent ensemble piece, choreographed by dance artist Joanna Young, made a welcome return to the stage at the Arena Theatre in Wolverhampton.

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Unknown Places – image Ewen Macintyre

This evocative and absorbing piece was performed alongside an improvised trio by Contact Dance Company titled ‘The details of the hands’. The piece was structured and inspired by Joanna Young and accompanied with sensitive and powerful live music by folk duet Deuair.

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Details of the hands – Image Ewen Macintyre

Shropshire Inclusive Dance’s co-director Rachel Liggitt has been in residence with ‘Dance Unity’ sharing some of the working methods in Contact Dance Company’s pieces and some of the ideas behind ‘Unknown Places’ The influence of the work became immediately apparent as Dance Unity took to the stage sharing a dance piece full of connection and elegance.

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Dance Unity – Image Ewen Macintyre

The final work to be performed was Contact Dance Company’s
‘Unknown Places’. The cast of 8 very individual dancers moved through shifts in mood & dynamics from subtle swaying and careful placing, to the creation of wild eddies of movement across a crowded dance floor. The piece demanded discipline and connection from the dancers, which was there for all to see.

‘A dancer moves slowly within a circle while delicate strands of lavender are precariously balanced on her. A male dancer moves and slides a large boulder through his arms, a ripple of bamboo poles balanced on dancers bodies provides a gentle rhythmic accompaniment’

 

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Unknown Places – Image Ewen Macintyre

The dance was accompanied by a subtle and dynamic soundscape by Jamie McCarthy.Contact Dance Company performed Joanna Young’s absorbing and finely placed work with commitment, focus and energy. Members of the audience present at the premiere of the work shared the following thoughts.

‘The new work was a wonderful piece of ensemble movement: focused, reflective, contemplative, infused with the presence not only of each dancer, but also the presence and energies of the natural world’

 ‘At times it felt like the piece was showing to me the ever moving qualities of the whole of humanity’

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Unknown Places – Image by Ewen Macintyre

 

Unknown Places by Contact Dance Company is available for festivals and theatre venues.

 

 

 

The premier of Unknown Places – a new ensemble piece by Contact Dance Company.

‘Unknown Places’ a newly commissioned ensemble piece choreographed by dance artist Joanna Young was performed by Contact Dance Company, last week at The Hive in Shrewsbury.

13 dancers from Contact Dance Company wove intricate layers of simple evocative movements throughout this 20 minute piece, often collecting, moving, replacing and shifting natural objects such as bamboo, rocks, sticks and plants.

A dancer moves slowly within a circle while delicate strands of lavender are precariously balanced on her. A male dancer moves and slides a large boulder through his arms, a ripple of bamboo poles balanced on dancers bodies provides a gentle rhythmic accompaniment.

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The dance was accompanied by a subtle and dynamic soundscape of field recordings including birdsong, tides, river sounds, composed by Jamie McCarthy

The cast of 13 very individual dancers moved through shifts in mood and dynamics from subtle swaying and careful placing, to the creation of wild eddies of movement across a crowded dance floor. The piece demanded discipline and connection from the dancers, which was there for all to see.

 

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Members of the audience shared the following thoughts about the piece.

‘The new work was a wonderful piece of ensemble movement: focused, reflective, contemplative, infused with the presence not only of each dancer, but also the presence and energies of the natural world’

 ‘At times it felt like the piece was showing to me the ever moving qualities of the whole of humanity’20180619-IMG_2260 copy

 

Described by The Dancing Times as ‘an adventurous choreographic voice’, Joanna Young’s work is delicate, intricately crafted and absorbing to watch.

She writes ‘As a child I had an obsession with arranging spaces; moving paraphernalia and domestic furnishings around to create different atmospheres and situations. I feel like I am still playing the same game’

Before coming to Shropshire to make this new piece Joanna Young was in residency in West Wales, this ever-shifting landscape of rivers and tides had a big influence on the piece. During the making process the dancers were invited to spend a while witnessing the swirling currents of the river Severn and for these currents to be internalised and expressed by the dancers.

Many members of the audience commented on the absorbing, mesmerising and soothing qualities of the piece.

In the first half of the show Contact Dance Company shared two powerful duets

‘Unspoken’ and ‘While you broke through’ and screened a film about their making process entitled ‘A bridge between us’ These works get to the heart of what contact Dance company is about. Connection, relationship, presence, and a joy in the moving body.

Unknown places will be performed in the autumn, that and other repertory work will be available for bookings.

Images of Unknown Places – photography by Ewen Macintyre